Monday, August 5th, 2019 at 11:44 am
World Watercolor Month is in the can! It’s done, finished…over…
Crape Myrtle
As I mentioned back in July in my article Quantity-Quality-Or Both, participating in challenges such as World Watercolor Month gives me an opportunity to produce a number of watercolor sketches—quantity. As I reviewed them this weekend I noticed that, as I thought, some were higher quality than others.
I also noticed that as I got closer to finishing the month, quality seemed to go down…until that LAST painting. My first painting last month for World Watercolor Month was the Crape Myrtle on the left.
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Monday, July 29th, 2019 at 11:54 am
One of Two-Wet on Wet vs Wet on Dry
This week I spent some time working on sky studies. Clouds and sunsets, colors and techniques to improve my landscapes.
Prompted by World Watercolor Month for clouds last week, I decided to spend more time getting to know skies a bit more. After all, I’ve spent a lot of time up there and I certainly have seen some beautiful skies.
Two of two Wet-on-Dry
Steve Mitchell, The Mind of Watercolor, had a good tutorial on clouds the other day working in both wet-on-wet and wet-on-dry techniques. As you can see in these to photographs each has its own merits depending upon the affect I’m trying to achieve. Naturally I didn’t want to waste the paint and time so what do we to with two cloud/sky studies? We add a landscape of course!
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Monday, July 15th, 2019 at 6:06 am
First layer…somewhat loose
I thought I’d give everyone a bit of a peek behind the curtain this week when it comes to my paintings and sketches.
On the right is my first layer of a painting I did for #worldwatercolormonth sponsored by www.doodlewash.com, whose daily prompt was “Blossoming”. As this is a “loose” painting, meaning I’m not trying to make it a photo-quality work, I used a large quill brush on 300# cotton paper. The idea is to just get a rough outline of the subject.
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Monday, July 8th, 2019 at 6:16 am
Pink Crape Myrtle
I like to experiment with different techniques of pen & ink. Recently I bought a dip pen with several nibs and went to work on a couple of botanical studies.
On the Pink Crape Myrtle painting to the left I penciled in the overall outline before going to the pen & ink. Usually when I’m using a fountain pen I tend to just draw out the sketch without first penciling in the outlines. Freely inking the sketch forces me to concentrate more as I draw my subject. Read the rest of this entry
