Monday, August 5th, 2019 at 11:44 am
World Watercolor Month is in the can! It’s done, finished…over…
Crape Myrtle
As I mentioned back in July in my article Quantity-Quality-Or Both, participating in challenges such as World Watercolor Month gives me an opportunity to produce a number of watercolor sketches—quantity. As I reviewed them this weekend I noticed that, as I thought, some were higher quality than others.
I also noticed that as I got closer to finishing the month, quality seemed to go down…until that LAST painting. My first painting last month for World Watercolor Month was the Crape Myrtle on the left.
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Monday, July 29th, 2019 at 11:54 am
One of Two-Wet on Wet vs Wet on Dry
This week I spent some time working on sky studies. Clouds and sunsets, colors and techniques to improve my landscapes.
Prompted by World Watercolor Month for clouds last week, I decided to spend more time getting to know skies a bit more. After all, I’ve spent a lot of time up there and I certainly have seen some beautiful skies.
Two of two Wet-on-Dry
Steve Mitchell, The Mind of Watercolor, had a good tutorial on clouds the other day working in both wet-on-wet and wet-on-dry techniques. As you can see in these to photographs each has its own merits depending upon the affect I’m trying to achieve. Naturally I didn’t want to waste the paint and time so what do we to with two cloud/sky studies? We add a landscape of course!
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Monday, July 22nd, 2019 at 12:35 pm
The union oyster house Boston 11 x 14 cold press watercolors by Matthew Mc
After several weeks of World Watercolor Month #worldwatercolormonth, it’s time to get serious about painting. Now…don’t get me wrong, I’ve been very serious and taken my time and done my best on many of my paintings, but…
When I see a painting like this, The Union Oyster House, by Matthew Mc I realize I still have a long way to go when it comes to composition, value, and color in my work. As I mentioned in my post Quantity-Quality-Or Both, I’ve been pumping out a quantity of art, especially this month, to practice and learn but once this month is over I’ll need to concentrate on quality. Read the rest of this entry
Monday, July 15th, 2019 at 6:06 am
First layer…somewhat loose
I thought I’d give everyone a bit of a peek behind the curtain this week when it comes to my paintings and sketches.
On the right is my first layer of a painting I did for #worldwatercolormonth sponsored by www.doodlewash.com, whose daily prompt was “Blossoming”. As this is a “loose” painting, meaning I’m not trying to make it a photo-quality work, I used a large quill brush on 300# cotton paper. The idea is to just get a rough outline of the subject.
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Monday, July 8th, 2019 at 6:16 am
Pink Crape Myrtle
I like to experiment with different techniques of pen & ink. Recently I bought a dip pen with several nibs and went to work on a couple of botanical studies.
On the Pink Crape Myrtle painting to the left I penciled in the overall outline before going to the pen & ink. Usually when I’m using a fountain pen I tend to just draw out the sketch without first penciling in the outlines. Freely inking the sketch forces me to concentrate more as I draw my subject. Read the rest of this entry
Monday, July 1st, 2019 at 6:04 am
Photo and work in progress
Is quantity, quality, or is both that are important when it comes to learning to paint with watercolor or sketch with pen & ink?
Learning a craft is much like playing a sport—to get good at it, one must practice, practice, and practice some more. Sports legends like Michael Jordan, Tom Brady, and Tiger Woods spent hours, days, and years practicing their sport to get to the level they have all achieved. Read the rest of this entry
